KREATIVITAS PAUL KUSARDY DALAM MENCIPTAKAN TARI PEMETIK TEH
DOI:
https://doi.org/10.26742/mklng.v10i2.3394Kata Kunci:
Tari Pemetik Teh, Kreasi Baru, Kreativitas, Paul KusardyAbstrak
ABSTRAK Tari Pemetik Teh termasuk ke dalam genre tari kreasi baru yang diciptakan Paul Kusardy pada tahun 1961 di Sanggar Viatikara Kota Bandung. Paul merupakan sosok seniman yang memiliki daya kreativitas tinggi dan merefleksikan kepribadian Indonesia yang memiliki keberagaman etnis dan suku bangsa dalam karya tarinya. Tujuan Penelitian yaitu untuk mengetahui secara rinci gagasan kreativitas Paul Kusardy dalam menciptakan Tari Pemetik Teh. Penelitian ini menggunakan metode penelitian kualitatif dengan pendekatan teori kreativitas 4P Rhodes meliputi pribadi, proses, pendorong, dan produk. Prosedur pengumpulan data dilakukan melalui tiga tahapan yaitu observasi, wawancara dan dokumentasi. Hasil penelitian ini menunjukan Paul Kusardy sebagai sosok yang berhasil mengembangkan gagasan kreativitas dengan melewati seluruh proses dan dorongan dalam mencipta tari, sehingga menghasilkan karya tari kreasi baru yang diterima masyarakat. Kata Kunci: Tari Pemetik Teh, Kreasi Baru, Kreativitas, Paul Kusardy. ABSTRACT THE CREATIVITY OF PAUL KUSARDY IN CREATING TEA PICKER DANCE, DECEMBER 2023. Tea Picker Dance is one of new creation dances created by Paul Kusardy in 1961 at Viatikara Studio Bandung. Paul is an artist who has high creativity and reflects the personality of Indonesia which has ethnic diversity in his dance works. The aim of the research is to get detail finding of Paul Kusardy's creative ideas in creating the Tea Picker Dance. This study uses qualitative research methods with the 4Ps Rhodes' creativity theory approach, including person, process, press, and product. Data collection procedure was carried out through three stages, namely observation, interviews and documentation. The result of this study shows that Paul Kusardy has succeeded in developing creative ideas through the entire process and encouragement in creating dance, resulting in new creation dance which is accepted by the society. Keywords: Tea Picker Dance, New Creation, Creativity, Paul Kusardy.Referensi
Ayan, E. Jordan. 2002. Bengkel Kreativitas. Bandung: Kaifa.
Hawkins, Alma M. 2003. Bergerak Menurut Kata Hati. Terjemahan I Wayan Dibia. Jakarta: Ford Foundation.
Iswantara, Nur. 2017. Kreativitas: Sejarah, Teori & Perkembangan. Yogyakarta: Gigih Pustaka Mandiri.
Mahpudi, Supriyatna Enton. 2016. Viatikara dari Bandung untuk Dunia. Bandung: Yayasan Olah Bina Seni Indonesia.
Mulyani, Ai dan Riyana Rosilawati. (2020). Kreativitas R. Tjetje Somantri dalam Tari Puja. Jurnal Panggung, 30 (1), 70-86.
Rhodes, M. 1961. “An Analysis of Creativity”. The Phi Delta Kappan. 42(7), 305-310. Retrieved April 1, 2021, melalui http://www.jstor.org/stable/20342603
Rusliana, Iyus. 2016. Tari Wayang. Bandung: Jurusan Tari ISBI Bandung.
-------------------. 2019. Kreativitas dalam Tari Sunda. Bandung: Sunan Ambu Press.
Sumandiyo Hadi, Y. 2012. Koreografi (Bentuk – Teknik - Isi). Yogyakarta: Cipta Media.
Sumiati, Lilis. 2021. Kreativitas Tari Yudhawiyata. Jurnal Panggung, 30 (1), 143-162.
Yeniningsih, Kurnita Taat. 2018. Pendidikan Seni Tari: Buku untuk Mahasiswa. Banda Aceh: Universitas Syiah Kuala.
Yulianti. 2009. Pengantar Seni Tari. Bandung: CV Dea Pustaka.
Unduhan
Diterbitkan
Terbitan
Bagian
Lisensi
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.