Visualisasi Seni Keramik Karya F. Widayanto
DOI:
https://doi.org/10.26742/pantun.v2i2.764Abstrak
The polemic on the ceramic is a form of the artists’ explorations as their personal expression media. Generally, ceramic tends to be part of an applied art. The anxiety is related to the view that ceramic is a usable thing. F Widayanto popularizes the ceramic art to the world of fne art exhibition. His artwork has distinctive characteristic on the tradition with detail curve and the coloring glaze which tends to be eye-fascinating. The visualization on his works is beyond the function rules tied to ceramic.This study is aimed at in-depth analysis on the visualization of F. Widayanto’s ceramic artworks. The method applied is qualitative by using Clive Bell aesthetic approach, in which started by data
collection and then analysis of F. Widayanto’s ceramic artworks. Basically, ceramic art is not merely about moving the word “ceramic” to the arts. Ceramic, although labelled as traditional arts, is proved to be existed among other contemporary artworks
Keywords: F. Widayanto, ceramic art, visualization, aesthetic
Referensi
Arimbawa Gede I Made, 2011. Basis Pengembangan Desain Produk Keramik Pada Era Pasar Global, MUDRA Jurnal Seni Budaya, ISI Denpasar Fakultas Seni Rupa dan Desain.
Bell Clive, 1913. ART “The classic manifesto on art, society, and aesthetic” ;A GREY ARROW, LONDON.
Budiyanto dkk. 2008. Kriya Keramik jilid 3 untuk Sekolah Menengah Kejuruan :
Direktorat Pembinaan Sekolah Menengah Kejuruan, Direktorat Jendral Manajemen Pendidikan Dasar Menengah, Departemen Pendidikan Nasional.
Drs. Agus Mulyadi Utomo, 2007. WAWAWSAN DAN TINJAUAN KERAMIK. Depdiknas Republik Indonesia, Bali : Institut Seni Indonesia Denpasar.
Dr. Fx. Mudji Sutrisno SJ, Prof. Dr, Christ Verhaak SJ. 1993. ESTETIKA FILSAFAT KEINDAHAN ; Pustaka Filsafat, Yogyakarta, KANISIUS
Ir. L. Widarto. 1996. MEMBUAT GERABAH. Departemen Pendidikan dan Kebudayaan, Direktorat Pendidikan Menengah Kejuruan. Yogyakarta. KANSISUS
Putro Miko Baskoro Indro, 2006. KERAMIK GANESHA F. WIDAYANTO DALAM PERSPEKTIF STRUKTURALISME LEVI-STRAUSS’, ARS Jurnal Seni Rupa & Desain, ISI Yogyakarta.
Siddharta Hildawati, 2002. SENI KERAMIK MODERN CONTEMPORARY CERAMIC ART
Sumijati, Atmosudiro. 1994. Gerabah Prasejarah di Liang Bua, Melolo, dan Lewoleba,.Yogyakarta: Universitas Gadjah Mada.
Susanto Pramudya Yoga, 2010. Studi Tentang Desain Ornamen Keramik di Industri Keramik Rumahan Dinoyo, Universitas Negeri Malang
Unduhan
Diterbitkan
Terbitan
Bagian
Citation Check
Lisensi
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations.
Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in Pantun: Jurnal Ilmiah Seni Budaya are the sole and exclusive responsibility of their respective authors and advertisers.
The Copyright Transfer Form can be downloaded here: [……………..) The copyright form should be signed originally and send to the Editorial Office in the form of original mail, scanned document or fax :
Dr. Jaeni, S.Sn., M.Si. (Editor-in-Chief)
Editorial Office of Jurnal Pantun
Program Pascasarjana ISBI Bandung
Jl. Buah Batu 212 Bandung
Telp./fax +62-22-730532/+62-22-7303021
Email : jurnalpantun@isbi.ac.id
