Ngalokat Menuju Refleksi Diri
DOI:
https://doi.org/10.26742/pantun.v6i2.1811Kata Kunci:
Dance, Lokat Mala, Reflection of life, RepresentationAbstrak
“Lokat Mala” is a contemporary dance work inspired by the rumpaka mamaos of the Cianjuran song entitled “Lokat Mala”. The atmosphere of harmonizing songs stirs the soul, gives longing for a cool, peaceful, and serene rural atmosphere. Lokat Mala leads to a process of self-cleaning when humans try to reflect on the balance of the relationship between God, humans and Nature. Stuart Hall's representation theory is used to interpret mamaos Lokat Mala as content ideas which explain, translate, and express ideas including meaning, language, culture, concepts, reality and imagination. The method of creation or creative process applies the concept of Alma Hawkins covering exploration, improvisation and formation. Jaqueline Smith's construction method used in constructing sensitivity includes auditory stimulation, visual stimulation, kinesthetic stimulation, tactile stimulation and idea stimulation. The embodiment of religious ideas and experiences about self-memory, represented in the form of a dance structure as a symbol of harmony and balance in outward and spiritual life. The choreography combines self-reflection, self-motivation, and self-strength.
Keywords: Dance, Lokat Mala, Reflection of life, Representation
Referensi
Hawkins, Alma. (1990). Mencipta Lewat Tari, Alih Bahasa Y. Sumandiyo Hadi. Press Solo. Surakarta.
Jacquline, Smith. (1985). Dance Composition Partical guide for teacher, Terj. Ben Suharto. Ikalasti, Yogyakarta.
Meri, La. (1975). Komposisi Tari. Terjemahan Soedarsono. Akademi Seni Tari Indonesia.Yogyakarta.
Royce, Anya Petercon. (2008). Antropologi Tari. Terjemahan F.X Widaryanto.Sunan Ambu Press.
Pengarang Tunggal (Indonesia)
Arthur S. Nalan. 2017. Teori Kreativitas. Pascasarjana ISBI Bandung.
Bambang Sugiharto. 2015. Apa itu Seni. Matahari.Yogyakarta.
Deni Hermawan. 2016. Gender dalam Tembang Sunda Cianjuran. Sunan Ambu Press.
Edi Sediawati. 1981. Pertumbuhan Seni Pertunjukan.PT Djaya Pirusa.
Eko Wijayanto. 2013. Memetic Perspektif Evolusionis Membaca Kebudayaan. Kepik.
F.X Widaryanto. 2005. Kritik Tari Gya, Struktur, dan Makna. Kelir
Ignasius Herry Subiantoro. 2008. Komposisi Laku Kreatif Terhadap PenciptaanTari anak.Sunan Ambu Press.
Jacob Sumardjo. 2015. Sunda Pola Rasionalitas Budaya. Kelir.
Moh.Yusuf Wiradiredja. 2014. Tembang Sunda di Priangan (1834-2009) Dari Seni Kalangenan sampai SeniPertunjukan. Sunan Ambu Press.
RMA Harymawan. 1986. Dramaturgi. Remaja Rosda. Yogyakarta.
R.M Soedarsono. 1992. Pengantar Apresiasi Seni. Balai Pustaka. Jakarta.
Y. Sumandiyo Hadi. 2012. Teknik-teknik Koreografi. Cipta Media & BP. ISI YK.
Y. Sumandio Hadi. 2007. Kajian Tari Teks dan Konteks. FSP, ISI Yogyakarta.
Zaprulkhan, 2016. Filsafat Ilu Sebuah Analisis Kontemporer. PT. Raja Grafindo Persada.
Pengarang Tunggal (Asing)
Barker, Chris. (2011). Cultural Studies.Kreasi Wacana Offset.
Hall, Stuart. (1997). Representation: Cultural Representation and Signifying
Practices. London: Sage Publication.
Peurseun, Van. (1988). Strategi Kebudayaan. PT Kanisius Yogyakarta.
Pengarang Bersama (Indonesia)
Iyus Rusliana dan Arthur S. Nalan, (2016).Studio (Tari, Karawitan dan Musik,Teater dan Media Rekam, Seni Rupa). Pascasarjana ISBI Bandung.
Pengarang Bersama (Asing)
Leach, Edmund & D. Alan Aycock, 1983, Structuralist Intepretations of Biblical Myth. CombridgeUniversity Press.
Zanten, Wim Van. (Sundanese Music In Cianjuran Style: Anthropologycal and Musicologycal Aspects of Tembang Sunda. Dordrecht-Holand; Foris Publication, 1989.
Unduhan
Diterbitkan
Terbitan
Bagian
Citation Check
Lisensi
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations.
Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in Pantun: Jurnal Ilmiah Seni Budaya are the sole and exclusive responsibility of their respective authors and advertisers.
The Copyright Transfer Form can be downloaded here: [……………..) The copyright form should be signed originally and send to the Editorial Office in the form of original mail, scanned document or fax :
Dr. Jaeni, S.Sn., M.Si. (Editor-in-Chief)
Editorial Office of Jurnal Pantun
Program Pascasarjana ISBI Bandung
Jl. Buah Batu 212 Bandung
Telp./fax +62-22-730532/+62-22-7303021
Email : jurnalpantun@isbi.ac.id
