Implementation of Panca Curiga as a Method of Interpretation of Rumpaka Texts in Sundanese Culture

Authors

  • Budi Setiawan Gardapandawa Institut Seni Budaya Indonesia, Bandung, Indonesia
  • Jaeni B Wastap Institut Seni Budaya Indonesia, Bandung, Indonesia
  • Sukmawati Saleh Institut Seni Budaya Indonesia, Bandung, Indonesia

DOI:

https://doi.org/10.26742/pantun.v8i2.2725

Keywords:

interpretation, rumpaka song, panca curiga, semiotic, hermeneutic.

Abstract

Panca Curiga is a method of Sundanese interpretation which is commonly used in understanding texts contained in art, especially in rumpaka songs. The existence of discourse about Panca Curiga in society until now has only been limited to discussion without scientific investigation. Efforts to understand how to interpret rumpaka, especially in art whose creator is unknown, has its own complexities. This can be seen from the rumpaka-rumpaka that appeared before the rise of artistic industrialization, for example in the Sundanese art of pantun or kawih kaulinan barudak. From the results of the study based on the application of Panca Curiga to the rumpaka pantun and kawih kaulinan barudak models, Panca Curiga actually has many similarities with the disciplines of interpretive methods such as Hermeneutics and Semiotics. Therefore, Panca Curiga can be an opportunity to be used to study rumpaka texts in Sundanese art.

References

Aart Van Zoest. (1993). Semiotika: Tentang Tanda, Cara Kerjanya Dan Apa Yang Kita lakukan dengannya. Jakarta: Yayasan Sumber Agung.

Ayat Rohaedi dkk. (1987). Sewaka Darma. Sanghiyang Siksa Kandang Karesian – Amanat Galunggung. Depdikbud.

E. Sumaryono. (1993). Hermeneutika Sebuah Metode Filsafat Filsafat. Yogyakarta: Kanisius.

Franzia, E., (2018) Pengaruh Sinergi Foto Profi l Media Jejaring Sosial dalam Meningkatkan Personal Branding. Panggung, Vol. 28.

Hadi, Abdul.W.M. (2008). Hermeneutika Sastra Barat dan Timur. Jakarta. Pusat Bahasa Departemen Pendidikan Nasional.

Masykur, Wahid. (2015). Teori Interpretasi Paul Ricoeur: PT LKiS Printing Cemerlang. Yogyakarta.

Nurwansah, Ilham. (2020). Siksa Kandang Karesian: Teks dan Terjemahan. Jakarta. Perpusnas RI.

Pattinasarany, Sally. (1996). Dasar-dasar Semiotika. Pusat Pembinaan dan Pengembangan Bahasa Departemen Pendidikan dan Kebudayaan. Jakarta.

Pilliang, Yasraf Amir. (2003) Hipersemiotika: Tafsir Cultural Studies Atas Matinya Makna. Yograkarta: Jalasutra.

Ricoeur, Paul. (2006). Hermeneutika Ilmu Sosial. Diterjemahkan oleh Muhammad Syukri. Yogyakarta: Kreasi Wacana.

Rohmat, Prakosa D., (2017) Pertunjukan Sandhur Tuban Refleksi Peralihan Masyarakat Agraris Menuju Budaya Urban. Panggung, Vol. 27.

Ruhimat,dkk. 2014. Kawih Pangeuyeukan. Jakarta : Perpustakaan Nasional RI.

Saleh Danasasmita dkk. (1984). Rintisan Penelusuran Masa Silam Sejarah Jawa Barat Pemerintah Propinsi Daerah Jawa Barat.

Saussure, Ferdinand de (1959) Course in General Linguistics. New York: The Philosopical Library.

Sobur, Alex. (2001). Analisis teks: Suatu Pengantar untuk Analisis Wacana, Analisis Semiotika, dan Analisis Framing. Bandung: Remaja.

Sobur, Alex. (2016). Semiotika Komunikasi. Bandung : PT Remaja Rosdakarya.

Sumaryono, E. (1999). Hermeneutik, Sebuah Metode Filsafat. Kanisius. Yogyakarta.

Suryalaga, H.R. Hidayat. (2003). Kasundaan Rawayan Jati. Wahana Raksa Sunda: Bandung.

Suryalaga, H.R. Hidayat. (2010). Filsafat Sunda. Yayasan Nur Hidayah: Bandung

Audio/Visual

Lakon Cepot Kembar source https://www.youtube.com/watch?v=PVSBQVEGxX0 accessed on June 11, 2023.

Murwa Sungsang Dede Amung Sutarya https://www.youtube.com/watch?v=iJUOhDiJQHI accessed on June 13, 2023

Resource Persons

Lili Suparli, April 17, 2023.

Dody Satya Eka Gusdiman, June 22, 2023

Dadan Sunandar Sunarya, Jelekong June 26, 2023

Tutun Hatta Saputra, Jelekong, June 26, 2023

Downloads

Published

2023-12-22

Issue

Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions

Section

Articles

Citation Check

License

The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations. 

Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in Pantun: Jurnal Ilmiah Seni Budaya are the sole and exclusive responsibility of their respective authors and advertisers.

The Copyright Transfer Form can be downloaded here: [……………..) The copyright form should be signed originally and send to the Editorial Office in the form of original mail, scanned document or fax : 

Dr. Jaeni, S.Sn., M.Si. (Editor-in-Chief)

Editorial Office of Jurnal Pantun

Program Pascasarjana ISBI Bandung

Jl. Buah Batu 212 Bandung

Telp./fax +62-22-730532/+62-22-7303021

Email : jurnalpantun@isbi.ac.id

jurnalpantunisbi@gmail.com