MULTIKULTURALISME KEBUDAYAAN DAERAH CIREBON

Authors

  • Reiza D. Dienaputra Program Studi Ilmu Sejarah Fakultas Ilmu Budaya Universitas Padjadjaran, Indonesia
  • Agusmanon Yunaidi Program Studi Ilmu Sejarah Fakultas Ilmu Budaya Universitas Padjadjaran, Indonesia
  • Susi Yuliawati Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Padjadjaran, Indonesia http://orcid.org/0000-0002-7483-3860

DOI:

https://doi.org/10.26742/panggung.v31i2.1313

Abstract

Cirebon has a very heterogeneous population. The heterogeneity of the Cirebon Population goes through a very long process, going on since the early days of the Cirebon Sultanate in the XV century. Along with the heterogeneity of its population, Cirebon culture has developed into a culture that is full of diversity, as well as representing cultural diversity in equality. This reality is interesting to observe, especially to find out about how multiculturalism is in Cirebon culture and how the elements of multiculturalism are represented in Cirebon culture. To reveal all this, the historical method is used, which consists of four stages of work, namely, heuristics, criticism, interpretation, and historiography. The results of research on several objects of the advancement of Cirebon culture has a correlation with the heterogeneous population of Cirebon. The cultures that contributed to the birth of a multicultural Cirebon culture were Indian, Arabic, Chinese, Western, Sundanese and Javanese culture. The cultural reality of Cirebon, which is full of cultural diversity, certainly needs to be maintained and preserved as well as being a model for strengthening national integration.

References

Guntur. (2019). Inovasi pada Morfologi Motif Parang Batik Tradisional Jawa. Panggung, 29 (4), 373-390.

Koesoemandinata, M.I.P. (2013). Wayang Kulit Cirebon Diplomasi Budaya Nusantara. Journal of Visual Art and Design. 4(2), 142-154.

Prawiradiredja, Mohammed Sugianto. (2005). Cirebon: Falsafah, Tradisi, dan Adat Budaya. Jakarta: Perum Percetakan Negara RI.

Yana, Deni, Reiza D. Dienaputra, Agus S. Suryadimulya, dan Yan Yan Sunarya. (2020). Budaya Tradisi sebagai Identitas dan Basis Pengembangan Keramik Sitiwinangun di Kabupaten Cirebon. Panggung, 30 (2), 204-220.

Published

2021-06-30

How to Cite

Dienaputra, R. D., Yunaidi, A., & Yuliawati, S. (2021). MULTIKULTURALISME KEBUDAYAAN DAERAH CIREBON. Panggung, 31(2). https://doi.org/10.26742/panggung.v31i2.1313

Citation Check