REPERTOAR TARI RASJATI SEBAGAI SUMBER GARAP PENYAJIAN TARI
DOI:
https://doi.org/10.26742/mklng.v6i1.999Abstrak
ABSTRAK
Tari Rasjati dalam genre Jaipongan sebagai sumber garap akan digubah menjadi bentuk penyajiannya yang ”baru”, karena pada tarian ini banyak peluang untuk dikembangkan sesuai kebutuhan, terutama ko-reografi dan pengaturan dinamika irama gerak. Untuk mencapai hasil yang optimal dalam garap penyajian tari Rasjati ini, maka dalam garapan ini menggunakan teori “Gegubahan Tari” dengan pendekatan metode “Gubahan Tari” melalui tahapan penyusunan konsep, proses yang terdiri dari eksplorasi, evaluasi dan komposisi, serta produk akhir yaitu gaya penyajian baru. Adapun hasil yang dicapai dari proses garap penyajian tersebut, adalah tercapainya perwujudan bentuk penyajian yang baru dari sumber repertoar tari Jaipongan dengan tidak merubah identitas repertoar sumbernya.
Kata Kunci: Jaipongan, Rasjati, Penyajian Tari.
ABSTRACT
Repertoar Tari Rasjati As A Source Of Working On Presentation Dance, June 2018. The Rasjati dance in the Jaipongan genre as a source of cultivation will be transformed into a "new" form of presentation, because in this dance there are many opportunities to be developed according to needs, especially choreography and dynamic rhythmic movement settings. To achieve optimal results in working on the Rasjati dance presentation, this work uses the theory of "Gegubahan" with the approach of the "Gubahan Tari" method through the stages of concept preparation, a process consisting of exploration, evaluation and composition, as well as the final product namely presentation style new. The results achieved from the process of working on the presentation, is the achievement of the realization of a new form of presentation from the source of the Jaipongan dance repertoire by not changing the identity of the source's repertoire.
Keywords: Jaipongan, Rasjati, Presentation Dance.
Referensi
DAFTAR PUSTAKA
Caturwati, Endang, dkk. 2007. Gugum Gumbira Dari Cha-Cha ke Jaipong. Bandung: Sunan Ambu Press.
Caturwati, Endang. 2007. Tari di Tatar Sunda. Bandung: Sunan Ambu Press.
Cokrohamijoyo, Sutopo F.X., ed. 1986. Pengetahuan Elementer Tari dan Beberapa Masalah Tari. Jakarta: Direktorat Kesenian.
Danasasmita, Saleh, dkk. 1987. Sewaka Darma (Kropak 408). Bandung: Direktorat Jenderal Kebudayaan. Departemen Pendidikan dan Kebudayaan.
Djelantik, A.A.M. 2001. Estetika Sebuah Pengantar. Bandung: MSPI (Masyarakat Seni Pertunjukan Indonesia).
Hanifah, Hani. 2012.“Kawung Anten”, (Skripsi). Bandung: Jurusan Tari.
Koswara, Oos. 2017. “Cawene Perempuan Suci”. Bandung: Pasca Sarjana ISBI Bandung.
Lugia, Thezsa. 2015. “Sonteng”, (Skripsi). Bandung: Jurusan Tari.
Murgianto, Sal. 1992. Koreografi, Jakarta: Pendidikan Dasar dan Menengah Departemen Pendidikan dan Kebudayaan.
Nuriawati, Risa. 2015 “Rasjati”, (Skripsi). Bandung: Jurusan Tari, STSI Bandung.
Ramlan, Lalan. 2016. Jurnal Ilmiah Seni Maka-langan Menelisik Tradisi mengais Kreasi. Bandung: Jurnal Ilmiah Seni Makalangan Vol. 01, No. 1: 12-20.
Rusliana, Iyus. 2008. Kompilasi Istilah Tari Sunda. Bandung: Sunan Ambu Press.
Sarimasti, Lilis Sarimasti. 2015. “Rawayan”, (Skripsi). Bandung: Jurusan Tari, STSI Ban-dung.
Sedyawati, Edi. 1984. Tari. Bandung PT Dunia Pustaka Jaya.
Tami Dwi Ranti, Damar. 2015. “Rasjati”, (Skripsi). Bandung: Jurusan Tari, STSI Bandung. Tari, STSI Bandung.
Yousda Amirna, Ine I, dan Zainal Arifin. 1993. Pendidikan dan Statistik Pendidikan, Jakarta: Bumi Aksara.
Unduhan
Diterbitkan
Terbitan
Bagian
Lisensi
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.