TARI GATOTKACA GANDRUNG KARYA R. ONO LESMANA KARTADIKOESOEMAH DI PADEPOKAN SEKAR PUSAKA SUMEDANG
DOI:
https://doi.org/10.26742/mklng.v10i1.2710Kata Kunci:
Tari Gatotkaca Gandrung, R. Ono Lesmana Kartadikoesoemah, Estetika Instrumental.Abstrak
Tari Gatotkaca Gandrung karya R. Ono Lesmana Kartadikoesoemah diciptakan pada tahun 1957. Dalam pertunjukannya terdapat empat tokoh, yaitu; Gatotkaca, Pergiwa Pergiwati, dan Cakil. Struktur pertunjukan terbagi menjadi tiga adegan dengan bentuk tari pethilan yang menggambarkan kegandrungan Gatotkaca kepada Pergiwa Pergiwati sebagai jelmaan dari Cakil. Penelitian ini dibatasi pada permasalahan mengenai bagaimana estetika tari Gatotkaca Gandrung karya R. Ono Lesmana Kartadikoesoemah di Padepokan Sekar Pusaka Sumedang. Landasan konsep pemikiran mengunakan teori estetika instrumental, karena dianggap relevan sebagai pisau bedah dalam membahas permasalahan. Untuk mengimplementasikan teori digunakan metode deskriptif analisis. Penelitian ini bersifat kualitatif dengan pengumpulan data dilakukan melalui studi pustaka, observasi, wawancara, dokumentasi dan analisa data. Berdasarkan hasil analisis diperoleh simpulan bahwa ditinjau dari estetika, tarian ini terdiri atas wujud tari, bobot tari, dan penampilan. Wujud tari meliputi bentuk dan struktur, di antaranya struktur koreografi, struktur iringan tari, tata rias tari, tata busana tari dan properti tari. Bobot tari meliputi gagasan penciptaan, suasana, dan pesan tari. Penampilan meliputi bakat, keterampilan, dan sarana. Ketiga unsur tersebut berkesinambungan menjadi sebuah pembentuk estetika tari yang menjadi identitas tari Gatotkaca Gandrung. ABSTRACT GATOTKACA GANDRUNG DANCE BY R. ONO LESMANA KARTADIKOESOEMAH AT PADEPOKAN SEKAR PUSAKA SUMEDANG, June 2023. Gatotkaca Gandrung Dance by R. Ono Lesmana Kartadikoesoemah was created in 1957. In the show there are four characters, namely; Gatotkaca, Periwa Perwati, and Cakil. The structure of the performance is divided into three scenes in the form of a pethilan dance which depicts Gatotkaca's passion for PeriwaPergiwati as the incarnation of Cakil. This research is limited to the problem of how the aesthetics of the Gatotkaca Gandrung dance by R. Ono Lesmana Kartadikoesoemah at Padepokan Sekar Pusaka Sumedang. The basis of the concept of thought is using instrumental aesthetic theory, because it is considered relevant as a scalpel in discussing problems. To implement the theory used descriptive analysis method. This research is qualitative in nature with data collection carried out through literature, observation, interviews, documentation and data analysis. Based on the results of the analysis, it can be concluded that in terms of aesthetics, this dance consists of dance form, dance weight, and appearance. The form of dance includes form and structure, including choreographic structures, dance accompaniment structures, dance make-up, dance dress and dance properties. The weight of the dance includes the idea of creation, atmosphere and message of the dance. Appearance includes talents, skills, and means. These three elements continue to form a dance aesthetic which is the identity of the Gatotkaca Gandrung dance. Keywords: Gandrung Gatotkaca Dance, R. Ono Lesmana Kartadikoesoemah, Instrumental Aesthetics.Referensi
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