FENOMENA PENARI CROSSGENDER DALAM GRUP REOG SARDULO NARESHWARI
DOI:
https://doi.org/10.26742/mklng.v9i2.2389Abstrak
Artikel ini bertujuan untuk mengeksplanasikan sebuah fenomena cross gender yang tidak asing dalam perkembangan dunia seni tari, yakni merupakan istilah silang peran atau karakter yang berseberangan atau berkebalikan dengan peran dan karakter sebenarnya. Fenomena cross gender ini muncul dalam kesenian Reog Ponorogo yang notabene para pelaku seninya adalah laki-laki, tetapi ada salah satu grup yang para pelaku seninya adalah perempuan semua yaitu Grup Reog Putri Sardulo Nareshwari. Cross gender dijadikan siasat yang menjadi daya tarik tersendiri, untuk bersaing dengan grup-grup reog lainnya. Pada penelitian ini, fenomena dilihat dari sudut pandang dan pengalaman para penari dalam menjalani peran sebagai penari cross gender, sehingga perspektifnya menggunakan cara pandang para penari memaknai cross gender itu sendiri. Profesionalitas mereka dan citra diri para penari, baik di atas panggung maupun di luar panggung menjadi titik focus pembahasan utama. Kata Kunci: Fenomena, Cross Gender, Reog, Sardulo Nareshwari. ABSTRACT: The Phenomena Of The Crossgender Dancers In The Reog Sardulo Narehswari Group. December 2022. This article aims to explain a cross-gender phenomenon that is not foreign to the development of the world of dance, which is a cross-term of roles or characters that are opposite or opposite to their actual roles and characters. This cross-gender phenomenon appears in the Reog Ponorogo art, where in fact the performers are male, but there is one group whose performers are all women, namely the Reog Putri Sardulo Nareshwari Group. Cross gender is used as a strategy that is the main attraction, to compete with other reog groups. In this study, the phenomenon is seen from the point of view and experience of the dancers in carrying out the role of cross-gender dancers, so that the perspective uses the perspective of the dancers to interpret cross-gender itself. Their professionalism and the dancers' self-image, both on stage and off stage, became the main focus of discussion. Kata Kunci: Fenomena, Cross Gender, Reog, Sardulo Nareshwari.Referensi
Alfiyanto, A. (2022). CARA MENCARI DAYA: METODE LITERASI TUBUH WAJIWA DALAM TARI KONTEMPORER ANAK-ANAK. Jurnal Seni Makalangan, 9(1).
Astuti, Puji. 2008. Konstruksi gender dalam Realitas Sosial. Semarang: UNNES Press.
Fakih, Mansour. 1996. Analisis Gender. Yogyakarta: Pustaka Pelajar.
Fauzanafi, Muhammad Zamzam. 2005. Reog Ponorogo, Menari di Antara Dominasi dan Keragaman. Yogyakarta: Kepel Press.
Lenggani, D. S., & Turyati, T. (2021). TARI BADAYA WIRAHMASARI RANCAEKEK. Jurnal Seni Makalangan, 8(1).
Littlejohn, Stephen W, dan Karen A. Foss. 2012. Theories of Human Communication. Jakarta: Salemba Humanika.
Mangunwijaya, Y.B. 1988. Wastu Citra. Jakarta: PT. Gramedia.
Morissan. 2018. Teori Komunikasi: Individu Hingga Massa. Jakarta: Prenada.
Rogers, Barbara. 1980. Domestication Of Women. New York: St. Martins Press.
Satoto, Sudiro. 1994. “Teater Sebagai Sistem Tanda”. Dalam Jurnal MSPI tahun V/1994. Jakarta: Grasindo.
Setiawan, S., & Jatnika, A. (2021). TARI GANDAMANAH. Jurnal Seni Makalangan, 8(1).
Sohib, B. 2009. Seven Heroes. Yogyakarta: PT Benteng Pustaka.
Suliastuti, Dewi. 1997. Geder Ditinjau dari Perspektif Sosiologi. Jakarta: Yaysan Prakarsa Yogyakarta dan Fredrich Ebert Stuffing.
Thowok, Didik Nini. 2005. Cross Gender Didik Nini Thowok. Malang: SaveMedia.
Unduhan
Diterbitkan
Terbitan
Bagian
Lisensi
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.