TARI PAKSI TUWUNG
DOI:
https://doi.org/10.26742/mklng.v8i1.1621Abstrak
ABSTRAK
Tari Paksi Tuwung adalah jenis tari putri yang memiliki perwatakan halus (lenyep), hasil karya R. Oe Yoesoef Tedjasoekmana yang diciptakan di wilayah Priangan yaitu di Bandung pada tahun 1982. Tarian ini menggambarkan kehalusan dan keanggunan seorang perempuan layaknya seorang putri, maka dari itu penulis dalam pembuatan karya penyajian tari, bertujuan untuk menampilkan sajian tari Paksi Tuwung yang dikemas dalam penyajian baru tanpa menghilangkan esensi dari bentuk dan isi yang ada pada tarian sumbernya. Untuk mewujudkan gagasan tersebut, maka teori yang digunakan adalah teori gegubahan, sedangkan metode yang digunakan adalah metode gubahan tari yaitu pengembangan dari sumber tradisi tertentu dengan cara memasukkan, menyisipkan, dan memadukan bentuk-bentuk gerak baru, sehingga menghasilkan bentuk penyajian yang berbeda dengan tetap mempertahankan identitas sumbernya dengan langkah-langkah proses garapnya meliputi: eksplorasi, evaluasi, dan komposisi. Penulis melakukan proses garap itu, dengan mengaplikasikan dalam penambahan dan pengembangan beberapa motif gerak, pola lantai, arah gerak dan unsur penunjang lainnya sehingga diharapkan dapat menjadikan sebuah sajian yang menarik tanpa keluar dari identitas tariannya.
Kata Kunci: Penyajian Tari, Paksi Tuwung, Gubahan Tari.
ABSTRACT
Paksi Tuwung Dance, June 2021. Paksi Tuwung dance is a type of female dance that has a subtle character (lenyep), the work of R. Oe Yoesoef Tedjasoekmana which was created in the Priangan area, namely in Bandung in 1982. This dance depicts the subtlety and elegance of a woman like a princess, therefore the writer in making the work of presenting the dance, aims to present the Paksi Tuwung dance presentation which is packaged in a new presentation without losing the essence of the form and content that is in the source dance. To realize this idea, the theory used is composing theory, while the method used is the dance composition method, namely the development of certain traditional sources by inserting, inserting, and integrating new forms of motion, so as to produce different forms of presentation while maintaining identity of the source with the steps of the working process including: exploration, evaluation, and composition. The author carries out the work on it, by applying it in the addition and development of several motion motifs, floor patterns, motion directions and other supporting elements so that it is expected to make an interesting presentation without leaving the identity of the dance.
Keywords: Dance Presentation, Paksi Tuwung, Dance Composition.
Referensi
Ananda, Dwi, 2019. “Repertoar Tari Paksi Tuwung”. Skripsi Karya Seni Penyajian Tari. Bandung: ISBI Bandung.
Astri, Luky. 2018. “Tari Paksi Tuwung”. Skripsi Karya Seni Penyajian Tari. Bandung: ISBI Bandung.
Asmara Yani, D Galih. 2018 “Tari Paksi Tuwung”. Skripsi Karya Seni Penyajian Tari. Bandung: ISBI Bandung.
Djelantik, A.A.M. 1999. Estetika Sebuah Pengantar. Bandung: MSPI
Hadi, Y Sumandiyo. 1996. “Aspek-aspek Dasar Koreografi Kelompok”. Jogjakarta: Manthili.
Kamus Besar Bahasa Indonesia. 1997. Jakarta: Balai Pustaka.
Mulyani, Ai. 2018. “Paksi Tuwung karya R. Yoesoef Tedjasoekmana Sebagai Model Tari Rampak Putri Repetoar Tari Keurseus”. Laporan Penelitian. Bandung; ISBI Bandung.
Murgiyanto, Sal. 1993. Ketika Cahaya Merah Memudar Sebah Kritik Tari. Jakarta: CV Deviri Ganan.
----------------------. 1986. Dasar-dasar Koreografi Tari dalam buku Pengetahuan Elementer Tari Dan Beberapa Masalah Tari. Jakarta: Direktorat Kesenian Proyek Pengembangan Kesenian Jakarta Departemen Pendidikan Dan Kebudayaan.
Nugraha, Onong. 1982. Tata Busana Tari Sunda. Bandung: Proyek Pengembangan Institut Kesenian Indonesia.
Sedyawati, Edi. 1984. Pengetahuan Elementer Tari dan Beberapa Masalah Tari. Jakarta: Pustaka Jaya.
Widaryanto, F.X. 2009. Koreografi. Bandung: STSI Bandung Press.
Unduhan
Diterbitkan
Terbitan
Bagian
Lisensi
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.
