IBING LULUGU DALAM KESENIAN RONGGENG AMEN GRUP BARANANG SIANG, KABUPATEN PANGANDARAN
DOI:
https://doi.org/10.26742/mklng.v4i1.1088Abstrak
ABSTRAK
Ronggeng Amen, merupakan hasil bentukan baru dari kesenian Ronggeng Gunung. Struktur penyajiannya terdiri atas: (1) ibing lulugu; (2) ibing baksa; (3) ibing gaul; dan (4) ibing waled. Keempat ibingan ini memiliki daya tarik sendiri, terutama pada ibing lulugu. Salah satu daya tariknya yang paling menonjol terletak pada ragam geraknya dan bentuk penyajiannya yang dilakukan secara rampak oleh para ronggeng. Oleh karena itu, penelitian ini difokuskan bagaimana struktur koreografi dan sumber gerak tarinya. Untuk mengeksplanasi kedua hal tersebut, maka dalam penelitian kualitatif ini digunakan pendekatan metode deskriptif analisis. Penelitian ini menghasilkan simpulan, yaitu Ibing Lulugu menggunakan struktur koreografi yang sederhana, beberapa ragam gerak dilakukan berulang-ulang, menggunakan pola gerak Ronggeng Gunung (pola melingkar) dengan penambahan pola sejajar. Adapun sumber gerak dalam Ibing Lulugu, selain gerak lokal (Ronggeng Gunung) adalah bersumber dari tari Keurseus dan tari Rakyat.
Kata Kunci: Ronggeng Gunung, Ronggeng Amen, Ibing Lulugu, Struktur Koreografi.
ABSTRACT
Ibing Lulugu In The Art Of Ronggeng Amen Grup Baranang Siang, Pangandaran District, June 2017. Ronggeng Amen is the result of a new formation of Ronggeng Gunung art. Its presentation structure consists of: (1) ibing lulugu; (2) ibing baksa; (3) ibing gaul; and (4) ibing waled. These four moms have their own charms, especially in Ibing Lulugu. One of its most prominent attractions lies in its range of the choreography and the source of its dance movement. To explore both of these things, then in this study used qualitative reseach methods using descriptive analysis approach. This study yielded a conclusion, Ibing Lulugu using simple choreographic structure, some motion is done repeatedly, using Ronggeng Gunung (circular pattern) motion pattern with the addition of parallel pattern. The source of motion in Ibing Lulugu, in addition to local motion (Ronggeng Gunung) is sourced from Keurseus dance , and folk dance.
Keyword: Ronggeng Gunung, Ronggeng Amen, Ibing Lulugu, Choreography Structure.
Referensi
DAFTAR PUSTAKA
Caturwati, Endang. dkk. 2003. Lokalitas, Gender dan Seni Pertunjukan di Jawa Barat. Yogya-karta: Aksara Indonesia.
Djelantik, A.A. M. 1990. Pengantar Dasar Ilmu Estetika: Jilid 1, Estetika Instrumental. Den-pasar: Sekolah Tinggi Seni Indonesia (STSI).
Endraswara, Suwardi. 2003. Metodologi Penelitian Kebudayaan. Yogyakarta: Gadjah Mada University Press.
J. Moleong, Lexy. 2007. Metode Penelitian Kualitatif. Bandung: PT. Remaja Rosda-karya.
K. Mahmud, Kusman. 1988. Mozaik Budaya. Jogjakarta: PN. Kota Kembang Jogjakarta.
Kurnia, Ganjar dan Arthur S. Nalan. 2003. Deskripsi Kesenian Jawa Barat. Bandung: Dinas Kebudayaan dan Pariwisata Jawa Barat dan Pusat Dinamika Pembangunan UNPAD. Bandung.
Kusmayadi, Nesri. 1996. “Keberadaan Tari Ronggeng Gunung Masa Sekarang di Dae-rah Kabupaten Ciamis” (Skripsi). Bandung: Jurusan Tari STSI Bandung.
Nugraha, Onong. 1982/1983. “Tata Busana Tari Sunda”. Bandung: Proyek Pengembangan Institut Kesenian Indonesia, Sub Proyek ASTI Bandung.
Nugraha Sunjaya, Deni. 2014. “Renghap Kendang Dina Ronggeng Tayub.” (Skri-psi). Bandung: Jurusan Karawitan STSI Bandung.
Nur Ella, Yeni. 2003. “Kesenian Ronggeng Amen Grup Medal Wangi Desa Ciliang Kecamatan Parigi, Kabupaten Ciamis (Tinjauan Deskriptif Terhadap Persepsi Masyarakat Dan Bentuk Pertunjukannya)”. (Skripsi). Bandung: Jurusan Tari STSI Ban-dung.
Rusliana, Iyus. 2012. Tari Wayang: Bahan Studi Kepenarian Tari Wayang. Bandung: Juru-san Tari STSI Bandung.
Rusliana, Iyus, dan Toto Amsar Suanda. 1977. “Pengetahuan Tari”. Bandung: Proyek/-Pengembangan ASTI Bandung Sub proyek.
Rusliana, Iyus, dkk. 1986. Pendidikan Seni Tari: Untuk SMTA. Bandung: Angkasa.
Sedyawati, Edi, dkk. 1986. Pengetahuan Ele-menter Tari dan Beberapa Masalah Tari. Jakarta: Direktorat Kesenian Proyek Pe-ngembangan Kesenian Jakarta Departe-men Pendidikan dan Kebudayaan.
S. Nalan, Arthur. 1996. Kapita Selekta Tari. Bandung: STSI Press Bandung.
Suhaeti, Etty. 2010. “Pertunjukan Ronggeng Amen di Kec. Padaherang Kab. Ciamis” (Laporan Penelitian Mandiri). Bandung: Departemen Pendidikan dan Pariwisata Sekolah Tinggi Seni Indonesia Bandung.
Sumaryono dan Endo Suanda. 2006. Tari Tontonan. Jakarta: Lembaga Pendidikan Seni Nusantara.
Sujana, Anis. 2002. Tayub: Kalagenan Menak Priangan. Bandung: Sunan Ambu Press.
Soedarsono, R.M. 1996. Indonesia Indah: Buku ke-7 Tari Tradisional Indonesia. Jakarta: Yayasan Harapan Kita.
Soedarsono. 1972. Djawa dan Bali: Dua Pusat Perkembangan Drama Tari Tradisionil di Indonesia. Jogjakarta: Gadjah Mada University Press.
Widaryanto, FX. dkk. 2006. Tari Komunal. Jakarta: Lembaga Pendidikan Seni Nusan-tara (LPSN).
Widaryanto, “The Antropology of Dance”. Bandung: Sunan Ambu Press.
Virgiansyah, Verri. 2014. “Tayub Bongbang sebagai Upacara Bersih Desa di Desa Golat, Kecamatan Panumbangan, Kabupaten Cia-mis” (Skripsi). Bandung: Jurusan Tari STSI Bandung.
Unduhan
Terbitan
Bagian
Lisensi
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.