Konstruksi Sosial Nicky Astria Sebagai Lady Rocker Indonesia

Authors

  • Yully Hidayah Sekolah Tinggi Musik Bandung, Indonesia
  • Een Herdiani Institut Seni Budaya Indonesia (ISBI) Bandung, Indonesia
  • Retno Dwimarwati Institut Seni Budaya Indonesia (ISBI) Bandung, Indonesia

DOI:

https://doi.org/10.26742/pantun.v6i2.1814

Keywords:

Nicky Astria, structural constructive, Lady Rocker

Abstract

The focus of this study is on the social construction of Nicky Astria as a singer on the influence of the development of rock music in Indonesia. The term “constructive” refers to the structuralist-constructive theory of Pierre Bourdieu or better known as social constructivism or postmodernism which recognizes the role of subjects and objects in the development of science. The theory is then applied to map, analyze, and e xplain the construction including the realm, habitus, and capital which represent Nicky Astria as a Lady Rocker. The research method applied is Kuntowijoyo approach, namely history to understand life records, namely the era that is the background of the biography and the socio-political environment. Qualitative data are obtained by literature study, observation of the works and figures of Nicky Astria and interview with Nicky Astria and other sources related to Nicky Astria as the research subject. The results of the study shows that Nicky Astria as Lady Rocker is represented through her consistency and popularity in the world of rock music. Her activities and productivities color and contribute to the development of rock music in Indonesia.

Keywords: Nicky Astria, structural constructive, Lady Rocker

References

Ardivitiyanto, Yovi. 2015. “Perkembangan Music Rock Di Kota Malang Tahun 1970-2000-an: Kajian Globalisasi dan Eksistensi Sosial-Budaya”. Jurnal. Malang: UNS, halaman 53-69.

Aristanu, Yudi, dan Septina Alrianingrum. 2014. “Kajian Identifikasi Mengenai Ragam Music Rock Surabaya Tahun 1967-1980 Beserta Dampak Perkembangan Music Rock Surabaya 1967-1980. AVATARA, e-Journal Pendidikan Sejarah: Volume 2, No. 3, halaman 499-506.

Bordieu, Pierre. (1996). Distinction : A Social Critique of the Judgement, United States of America, President and Fellows of Harvard College and Routledge & Kegan Paul Ltd.

Bordieu, Pierre. (1990a). In Other Words: Essays Towards a Reflexive Sociology, United States of America, Stanford University Press.

Bordieu, Pierre. (1990b). The Logic of Practice, United States of America, Stanford University Press.

Haiklip. 2002. Majalah. Edisi 1.

Hidayat, Arief. 2018. “Sejarah dan Perkembangan Music Rock Di Indonesia Tahun 1970-1990”. Bihari: Pendidikan Sejarah dan Ilmu Sejarah, halaman 12-18

Kuntowijoyo. (2003). Metodologi Sejarah, Yogyakarta, PT. Tiara Wacana Yogya.

News Musik. 2001. Edisi Khusus, Februari.

Prasetya, Harry. (2010). Rock and Roll di Udara, UNDIP

Ramadhani, Ichvani Nur. 2015. “Perkembangan Musik Poprock Nike Ardilla Tahun 1984-1995”. AVANTARA, e-Journal Pendidikan Sejarah: Volume 3, No. 3, halaman 448-458.

Sakrie, Denny. (2015). 100 Tahun Musik Indonesia, Jakarta Selatan, Gagas Media.

Siregar, Magihut. 2016. “Teori Gado-gado Pierre-Felix Bourdieu”. Jurnal Studi Kultural, Volume 1 No. 2, Halaman 79-82

Tambajong, Japi. (1992). Ensiklopedia Musik Jilid 2, Jakarta, Cipta Adi Pustaka.

Downloads

Published

2022-01-05

Issue

Vol. 6 No. 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara

Section

Articles

Citation Check

License

The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations. 

Pantun: Jurnal Ilmiah Seni Budaya and Pascasarjana ISBI Bandung and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in Pantun: Jurnal Ilmiah Seni Budaya are the sole and exclusive responsibility of their respective authors and advertisers.

The Copyright Transfer Form can be downloaded here: [……………..) The copyright form should be signed originally and send to the Editorial Office in the form of original mail, scanned document or fax : 

Dr. Jaeni, S.Sn., M.Si. (Editor-in-Chief)

Editorial Office of Jurnal Pantun

Program Pascasarjana ISBI Bandung

Jl. Buah Batu 212 Bandung

Telp./fax +62-22-730532/+62-22-7303021

Email : jurnalpantun@isbi.ac.id

jurnalpantunisbi@gmail.com