NGIGELKEUN LAGU MODEL KREATIVITAS KEPENARIAN DALAM JAIPONGAN
DOI:
https://doi.org/10.26742/mklng.v3i2.888Abstract
ABSTRAK
Repertoar tari dalam genre tari Jaipongan pada umumnya merupakan bentuk sajian tunggal, kalaupun ada yang disajikan dalam bentuk kelompok (rampak) adalah semata-mata sebagai upaya kreatif dalam mencari bentuk sajian lain sesuai kebutuhan pengembangan estetik dan artistik sekaligus. Bahkan dalam bentuk penyajian tunggal, walaupun tariannya sama seringkali disajikan berbeda oleh setiap penari. Faktor apa saja yang menjadi pembeda dari setiap penari, sehingga menghasilkan kualitas kepenarian yang khas? Untuk mendapatkan jawaban, digunakan suatu model kreativitas kepenarian yang disebut ‘ngigelkeun lagu’.
Berdasarkan hasil analisis terhadap struktur koreografi Jaipongan, maka diketahui bahwa setiap penari Jaipongan yang handal (piawai; mahir) dalam menyajikan tarinya menggunakan 5 (lima) teknik yaitu; mungkus, maling, metot, ngantep, dan ngeusian sehingga mampu menciptakan gaya penyajian khas miliknya.
Key word: kreativitas, kepenarian, jaipongan, ngigelkeun lagu, mungkus, maling, metot, ngantep, ngeusian.
ABSTRACT
The dance repertoire in Jaipongan genre is generally a single presentation form, if there is presented in the form of a group (rampak), it is solely as a creative effort in searching other forms of presentation in accordance with the needs of aesthetic and artistic development as well. Even in the form of a single presentation, altrhrough the dance is the same, it is often presented differently by each dancer. What factors are to be distinguishing, so as to produce a typical quality of dance? To get the answer, is by using a model of dance creativity called ‘ngigelkeun lagu’.
Based on the analysis to the structure of Jaipongan choreography, it is figured out that every reliable (proficient: skillfull) Jaipongan dancer in presenting her dance using 5 (five) techniques namely: mungkus, maling, metot, ngantep, and ngeusian so as to create her own typical presentation style.
Keyword: creativity, dance, Jaipongan, ngigelkeun lagu, mungkus, maling, metot, ngantep, ngeusian.
References
Edi Mulyana dan Lalan Ramlan.
Tari Jaipongan. Bandung: Jurusan Tari Press, STSI Bandung.
F.X. Widaryanto.
“Pergelaran Topeng Cirebon dalam Preservasi Tari Tradisi”, bookleat. Bandung: Jurusan Seni Tari, STSI Bandung.
Goleman, Daniel.
Kecerdasan Emosional: Mengapa EI Lebih Penting Daripada IQ. (Terj. T Hermaya, “Emotional Intelligence”, Scientific American, Inc, 1994). Jakarta: PT. Gramedia Pustaka Utama.
Holt, Claire.
Melacak Jejak Perkembangan Seni Di Indonesia. (Terj. R.M. Soedarsono, “Art in Indonesia: Continuity and Change, 1967).Bandung: MSPI.
Jakob Sumardjo.
Filsafat Seni. Bandung: ITB
“Tubuh Primordial: Meraga Sukma”, makalah. Bandung: Teater Payung Hitam.
Downloads
Issue
Section
License
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.