KONSEP INTERPRETASI AWAN SEBAGAI RANGSANG VISUAL DALAM PENCIPTAAN KARYA TARI ’TITI SURYA’ DI KOTA BANDUNG
DOI:
https://doi.org/10.26742/mklng.v11i1.3405Keywords:
‘Titi Surya’, Konsep Interpretasi, Rangsang Visual AwanAbstract
ABSTRAK Artikel ini menjelaskan tentang penciptaan karya tari kreasi baru ‘Titi Surya’ yang terinspirasi dari awan, dan dijadikan sebagai rangsang visual, serta di dalamnya diinterpretasikan tentang gambaran manusia dalam mengarungi proses kehidupan penuh dengan dinamika, bentuk apapun yang telah digariskan yang Maha Kuasa dilalui dengan sabar, tabah, tawakal, dan ikhlas diterima dengan rasa syukur. Metode kreativitas digunakan dengan melalui tahapan eksplorasi, improvisasi, evaluasi, dan komposisi, yang di dalamnya memunculkan pendekatan konsep interpretasi. Hasil dari karya tari kreasi baru ‘Titi Surya’ ini merupakan karya inovatif yang masih melekat esensi tradisinya, yang dapat disosialisasikan kepada masyarakat luas khususnya kepada generasi muda. Kata Kunci: ‘Titi Surya’, Konsep Interpretasi, Rangsang Visual Awan. ABSTRACT THE CONCEPT OF CLOUD INTERPRETATION AS VISUAL EXCITEMENT IN THE CREATION OF DANCE WORK ‘TITI SURYA’ IN BANDUNG, JUNE 2024. This article explains the creation of the new dance work 'Titi Surya' which is inspired by clouds, and is used as a visual stimulus, and there is an image of humans navigating the life process full of dynamics, various forms which have been outlined by the Almighty, being passed through patiently, steadfast, trusting, and sincerely accepted with gratitude. The creativity method is used through stages of exploration, improvisation, evaluation and composition, which rises to an interpretive concept approach. The result of this new creative dance work '’Titi Surya’ is an innovative work that still has the traditional essence, which can be disseminated to the wider community, especially to the younger generation. Keywords: 'Titi Surya', Interpretation Concept, Visual Stimulus Of Clouds.References
Danadibrata, R.A. 2006. Kamus Basa Sunda. Wedalan Panitia Penerbitan Kamus Basa Sunda Gawe bareng PT. Kiblat Buku Utama jeung UNPAD
Hadi, Y. Sumandiyo. 1996. Aspek-Aspek Dasar Koreografi Kelompok. Manthili Yogyakarta.
Krausz, Michael. 2007. Interpretation And Transformation. Editions Rodopi B.V., Amsterdam - New York, NY. Printed in the Netherlands
Rosilawati, Riyana, Lili Suparli, dan Ocoh Suherti, 2023. “Relevansi Ide, Konsep, dan Bentuk dalam Proses Kreatif Karya Tari ‘Gandrung Liwung’ Inspirasi Merak”. Jurnal Ilmiah Seni & Budaya Panggung. V33 /N1/01, Penerbit ISBI Bandung.
Rusliana. Iyus. 2019, Kreativitas Dalam Tari Sunda: Sunan Ambu Press.
Smith, Jacqueline M_Autard. 2010. Dance Composition. Methuen Drama. A & C Black Publishers Ltd36 Soho Square London.
Subiantoro. Ign. Herry. 2022, “Penciptaan Tari Jamparing Sekar Kinasih”. Jurnal Ilmiah Seni & Budaya Panggung. V32/N1/03, Penerbit ISBI Bandung.
Sumiati, Lilis. 2020. “Tari Yudawiyata”. Jurnal Ilmiah Seni & Budaya Panggung. V30/N1/01, Penerbit ISBI Bandung.
Widaryanto, FX. 2009. Koreografi. Jurusan Tari STSI Bandung.
Yukarina. 2021.Tari Sulintang Karya R.Tjetje Somantri di Pusat Olah Tari SetyaLuyu Bandung. Skripsi Program S1 Jurusan Tari ISBI Bandung.
Downloads
Published
Issue
Section
License
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read VIPERARTS's Posting Your Article Policy at https://jurnal.isbi.ac.id/index.php/makalangan/about/editorialPolicies#sectionPolicies
- That it is not under consideration for publication elsewhere,
- That its release has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Jurnal Seni Makalangan agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Jurnal Seni Makalangan uses a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code, or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived in appropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g., DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the material with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article. However, the authors should prefer, in all cases, a deposition in data repositories.
