ANALISIS NARATIF PENGARUH PERSPEKTIF SUTRADARA PEREMPUAN DALAM PERFILMAN INDONESIA

Penulis

  • Evelyn Talenta N. Tobing Prodi Televisi dan Film, Fakultas Budaya dan Media, Institut Seni Budaya Indonesia Bandung, Indonesia

DOI:

https://doi.org/10.26742/layar.v8i1.1923

Kata Kunci:

Perspective, Director, Woman, Film

Abstrak

Film as a part of mass media certainly has a function in giving messages to the audience. Until now, the films circulating certainly contain the ideas and ideas of the creators. Ideas and ideas in filmmaking originated from the scriptwriter who produced the script. The role of the director is no less important in the next process, namely interpreting the script and producing it into a film. Among all the director's personal attributes that have an influence in making film works, gender is one of the backgrounds for different perspectives in expressing these ideas and ideas. In this case, gender can be interpreted as a social role attached to a particular gender. In this case, Indonesian cinema needs a new and different perspective by placing the perspective of women as what women want. This perspective will usually be brought by the director. How can directors create women's aesthetics, be it women's issues, politics, culture and other issues in films so that women directors can make film works as a medium to communicate and open up the widest possible perspective of women framed from women themselves in various ways to the audience.

Referensi

Barnwell, Jane. (2008). The Fundamentals of Film-Making. Switzerland: AVA Publishing.

May, Rollo. (1953). The Courage To Create. New York: Norton Paperback.

Diskusi Public Lecture JAFF 2014 “Women Perspective on Cinema”.

Atmasari, Rina.2014 "Film Karya Sutradara Indonesia Masuk Radar Oscar", https://seleb.tempo.co/read/630348/film-karya-sutradara-indonesia-masuk-radar-oscar/full&view=ok, diakses pada 20 Juni 2021 pukul 13:44.

Cempaka, Ayu Diah.2018 “Sekala Niskala: Duka Tak Sebatas Indera”, https://cinemapoetica.com/sekala-niskala-duka-tak-sebatas-indera/, diakses pada 20 Juni pukul 20:37.

Iwan Awaludi, Yusuf.2012. “Dinamika Industri Perfilman Indonesia dari Gambar Idoep ke Cineplax” https://bincangmedia.wordpress.com/2012/03/30/dinamika-industri-perfilman-indonesia-dari-gambar-idoep-ke-cineplex/, diakses pada tanggal 20 Juni 2021 pukul 15:07.

Lih, Shinta Maharani.2013 “Film Denok dan Gareng Borong Penghargaan JAFF”, http://www.tempo.co/read/news/2013/12/07/111535476/Film-Denok-dan-Gareng-Borong-Penghargaan-JAFF, diakses pada tanggal 20 Juni 2021 pukul 18:15.

Sukmawijaya, Bambang.2014 “Menonton Indonesia”, https://bambangsukmawijaya.files.wordpress.com/2014/03/jurnal-desain-vol1no2-2014-menonton-indonesia.pdf, diakses tanggal 20 Juni 2021 pukul 16:04.

Diterbitkan

2022-02-20

Cara Mengutip

N. Tobing, E. T. (2022). ANALISIS NARATIF PENGARUH PERSPEKTIF SUTRADARA PEREMPUAN DALAM PERFILMAN INDONESIA. LAYAR: Jurnal Ilmiah Seni Media Rekam, 8(1), 59–66. https://doi.org/10.26742/layar.v8i1.1923

Citation Check

Artikel Serupa

<< < 1 2 3 4 > >> 

Anda juga bisa Mulai pencarian similarity tingkat lanjut untuk artikel ini.