KAJALI: DALANG WAYANG GARING (Gambaran Perjuangan Dalang Wayang Garing yang Tersisa dari Kikisan Zaman)
DOI:
https://doi.org/10.26742/layar.v8i2.1914Keywords:
, Film, Documentary, Puppeteer, puppet Crisp.Abstract
The production of this film tells the story of a modest life from a leather puppeteer, known as the puppeteer crisp. The fact that the necessities of life is never ending then, Kajali persisted with lack thereof, being the puppeteer as the only of livelihood Kajali. Now, not many traditional arts are able to survive sturdy. Kajali, one of the few people who are still trying to preserve a cultural heritage handed down by their ancestors. This documentary film packaging, adjusted based on the real story intact, so that the audience is expected to see the different side from the figure life of puppeteer in general. As a puppeteer, he utilizes his potential, the potential of humor and good communication to audience as the key to successful of his performance. Hopefully struggle picture of the puppeteer in this documentary can inspire various circles to give attention to revive the nation's cultural assets which tragic fate and danger of being lost without generations inherit.
References
Sahari Agus, 2008, Pengantar Metode Penelitian Budaya Rupa dan Design (arsitektur, seni rupa, dan karya). Jakarta: Erlangga.
H. Ismail Usmar, 2002 (Badan Pengembangan SDM Citra, Kamus Kecil Istilah Film, Yayasan Pusat Perfilman:170).
Pratista, Himawan, 2008, Memahami Film, Homerian Pustaka Yogyakarta.
Soetarno, 1984, Pertunjukan Wayang dan Makna Simbolisme.
Victoria M. Clara van Groenendael, 1987, Dalang Dibalik Wayang. Jakarta.
Hadi, MH Samsul. Sumber Kompas/www.wayanggaring,com
Yulius, Yulita. 2009. Tentang Indonesia. Diakses pada: y3lita81@yahoo.co.id
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to LAYAR: Jurnal Ilmiah Seni Media Rekam journal and Jurusan Film dan Televisi as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations.
LAYAR: Jurnal Ilmiah Seni Media Rekam journal and Department of Computer Engineering, Universitas Diponegoro and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in LAYAR: Jurnal Ilmiah Seni Media Rekamjournal are the sole and exclusive responsibility of their respective authors and advertisers.
