REPRESENTASI VISUAL HEDONISME PADA FILM PARASITE

Authors

  • Adinda Maharani Prodi Desain dan Seni Rupa Institut Teknologi Bandung, Indonesia

DOI:

https://doi.org/10.26742/layar.v8i1.1919

Keywords:

Film, Hedonism, Parasite

Abstract

Film works can be created from various points of view and methods of production techniques so that they become an interesting unified storyline. Parasite is a film that depicts a new perspective with a fascinating story and plot twist in the context of a film with the issue of social inequality in the modern era. The interesting thing in the film Parasite is the depiction of hedonism by characters from poor families, where people think that poor people cannot become hedonists because of their limited abilities. This study uses a qualitative approach and descriptive method, which describes the social relations of the meaning of hedonism in lower-middle families, in the form of forms, activities, characteristics, changes, relationships, similarities, and differences. The results of the research show that the Parasite film illustrates that poor families can practice hedonism in their lives, so this film becomes a source of representation of the country's progress by presenting a luxurious life. If it is associated with the concept of Roland Barthes, Stone becomes a mythical image in the form of a visual representation of how Korean people believe stones can bring good luck.

References

Alam, K. L. (2019). Representasi Hedonisme Dalam Film Crazy Rich Asians (Analisis Semiotika John Fiske Mengenai Hedonisme dalam Film Crazy Rich Asians). Universitas Komputer Indonesia.

Angela, M., & Winduwati, S. (2020). Representasi Kemiskinan dalam Film Korea Selatan (Analisis Semiotika Model Saussure pada Film Parasite). Koneksi, 3(2), 478–484. https://doi.org/10.24912/kn.v3i2.6480

Asri, R. (2020). Membaca Film Sebagai Sebuah Teks : Analisis Isi Film "Nanti Kita Cerita Tentang Hari Ini (NKCTHI). Jurnal Al Azhar Indonesia Seri Ilmu Sosial, 1(2), 74–86.

Eriyanto. (2011). Analisis Framing. Yogyakarta: Lkis Yogyakarta.

Ghandi, F. A., & Mu’tashim, Y. F. (2020). Representasi Gaya Hidup Hedonisme Pada Tokoh Utama Dalam Film Koala Kumal Karya Raditya Dika. Kawruh: Journal OfLanguageEducation, Literature, and Local Culture, 2(1), 61–71.

Khasanah, U., & Candraningrum, D. (2021). An Anaylisis Of Hedonism And Its Effect To People In Three Clans Kevin Kwan’s Crazy Rich Asians (2013): A Sociological Approach. Universitas Muhammadiyah Surakarta.

Kristiyono, J., & Sirikit, H. (2019). Menelisik Siasat Cerita Digital Reality Pada Film Ready Player One? Bricolage : Jurnal Magister Ilmu Komunikasi, 5(02), 159–211. https://doi.org/10.30813/bricolage.v5i02.1885

Rahayu, M. (2020). Mythology of Career Woman in Hijab Film (Study of Roland Barthes Semiotic Analysis). American Journal of Humanities and Social Sciences Research (AJHSSR), 4(7), 80–86. www.ajhssr.com

Setiawan, H., Aziz, A., & Kurniadi, D. (2020). Ideologi Patriarki Dalam Film (Semiotika John Fiske Pada Interaksi Ayah dan Anak Dalam Film Chef). ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia, 6(2), 251–262.

Sihombing, L. H., & Sinaga, A. A. (2021). Representation of Social Classs in Paraste Movie. Lire Journal (Journal of Linguistics and Literature), 5(1), 69–80. https://doi.org/10.33019/lire.v5i1.107

Sudarto, A. D., Senduk, J., & Rembang, M. (2015). Analisis Semiotika Film “Alangkah Lucunya Negeri Ini.” Journal Acta Diurna, IV(1), 1–11.

Thwaites, T., Davis, L., & Mules, W. (2009). Introducing Cultural and Media Studies. Bandung: Jalasutra.

Wiyanto, & Candraningrum, D. (2020). Hedonism In Oscar Wilde’s Novel The Picture Of Dorian Gray (1891) : A Marxist Approach. Universitas Muhammadiyah Surakarta.

Downloads

Published

2022-02-20

How to Cite

Maharani, A. (2022). REPRESENTASI VISUAL HEDONISME PADA FILM PARASITE. LAYAR: Jurnal Ilmiah Seni Media Rekam, 8(1), 3–16. https://doi.org/10.26742/layar.v8i1.1919

Citation Check

Similar Articles

1 2 3 4 > >> 

You may also start an advanced similarity search for this article.