WARNA PADA RAGAM HIAS BATIK KLASIK SEMÈN GAYA YOGYAKARTA
DOI:
https://doi.org/10.26742/atrat.v3i3.374Abstract
This article focuses on colour which is applied on a classic batik motif of semen from Yogyakarta that is known as acentral of inland batik. Classic batiks are rich of symbolic meaning both in motif and colour. Based on identification and analysis result, it can be explained that semèn motif of classic Yogyakarta batik has its own distinctive color. Brown (soga), blue (wedel), black, and dominant white are peculiar to Yogyakarta. Meaning contained incolors of semèn motif of classic Yogyakarta batik is one of the significant elements in the whole visualization of batik. Connotation meaningsof virtue and positive wishes are implied in it.
Keywords: Classic Batik, Inland Batik, Colour of Javanese Batik, Meaning of Batik Colour
___________________________________________________________________
Artikel ini mengkaji unsur warna yang diterapkan pada ragam hias batik klasik semèn dari daerah Yogyakarta, yang dikenal sebagai salah satu daerah penghasil batik pedalaman. Batik klasik yang sarat akan makna simbolis tidak hanya terletak pada unsur visualisasi ragam hiasnya saja namun juga pada unsur warna yang diterapkan. Berdasarkan hasil identifikasi dan analisis, maka dapat dijelaskan bahwa ragam hias batik klasik semèn khususnya di daerah bekas kerajaan Mataram, yaitu Yogyakarta memiliki spesifikasi warna tersendiri yang sangat khas. Warna coklat (soga ), biru (wedel), hitam, dan dominasi warna putih menjadi ciri khas dari daerah tersebut. Makna yang dikandung di dalam unsur warna pada ragam hias batik klasik semèn dari daerah Yogyakarta, menjadi salah satu unsur yang penting dalam perwujudan sebuah kain batik secara keseluruhan. Konotasi tentang kebaikan dan harapan yang positif tersirat dalam penerapannya tersebut.
Kata Kunci: Batik Klasik, Batik Pedalaman, Warna Batik Jawa, Makna Warna Batik
Downloads
Published
How to Cite
Issue
Section
Citation Check
License
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to jurnal Atrat and Jurusan Seni Rupa STSI Bandung as the publisher of the journal. Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations.
Jurnal Atrat and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in jurnal Atrat are the sole and exclusive responsibility of their respective authors and advertisers.
The Copyright Transfer Form can be downloaded here: [Copyright Transfer Form JTSiskom]. The copyright form should be signed originally and send to the Editorial Office in the form of original mail, scanned document or fax :
Agus Cahyana (Editor-in-Chief)
Editorial Office of Jurnal Atrat
Department of fine art and design. ISBI Bandung
Jl. Buah Batu 212
Email: jurnalatrat@gmail.com