WACANA MARANTAU DALAM DENDANG ‘BUJANG MARANTAU’

Authors

  • Dolly Nofer Pusat Penelitian dan Pengembangan Budaya Melayu Nusantara Insulinde “Art and Design Research Centre”, Indonesia

DOI:

https://doi.org/10.26742/jp.v8i1.1894

Keywords:

discourse, marantau, dendang, Bujang Marantau, Sawir Sutan Mudo

Abstract

The existence of a significant dendang (“song”) in the musical art of Saluang Darek. Apart from being a musical medium, dendang plays an important role in conveying messages verbally. This research is a study of the discourse of marantau (“migration”) in the dendang 'Bujang Marantau'. The significance of the study of the discourse is based on a thought that dendang as a work of art contains certain values, ideas, and thoughts related to life experiences in everyday life which are often not revealed on the surface. The disclosure of the marantau discourse in the song uses perspective and discourse analysis, with interpretive qualitative methods. After the translation of the 'Bujang Marantau' dendang text, the text is then interpreted to include other texts other than the dendang which include; creator (Sawir Sutan Mudo), Saluang Darek music, Minangkabau culture, and the marantau tradition. The texts outside the 'Bujang Marantau' dendang are the surrounding context. The whole meaning of the discourse of marantau in the dendang 'Bujang Marantau' can be understood through the disclosure of the relation of meaning between the text and the context. Based on the studies that have been carried out, it was found that the discourse of marantau in the dendang 'Bujang Marantau' is a dilemmatic fact that occurs in the marantau tradition. Marantau activities apparently not only have an impact on economic improvement, self-maturation, but simultaneously trigger suffering.

References

Kaplan, David M. (2010). Teori Kritis Paul Ricoure. Terj. Ruslani. Yogyakarta: Pustaka Utama,.

Martamin, M., et.al. (1988). “Dendang Minangkabau (Suatu analisis dari segi karakter musiknya)”. Padangpanjang: Akademi Seni Karawitan Indonesia (ASKI) Padangpanjang.

_________. (1989). ”Dendang Minangkabau (Suatu Studi Kepustakaan)”. Padangpanjang: Akademi Seni Karawitan Indonesia (ASKI) Padangpanjang.

Merriam, A. P. (1980). The Anthropology of Music. Evanston: Northwesttern Univercity Press.

Minderop, Albertin. (2011). Psikologi Sastra: Karya Sastra, Metode, Teori, dan Contoh Kasus. Jakarta: Yayasan Pustaka Obor Indonesia.

Moleong, Lexy J. (2012). Metodologi Penelitian Kualitatif. Bandung: Remaja Rosdakarya.

Mulyana. (2005). Kajian Wacana: Teori, Metode dan Aplikasi Prinsip-prinsip Analisis Wacana. Yogyakarta: Tiara Wacana.

Rustim. (2010). Interaksi Sosial dalam Pertunjukan Tradisi Bagurau Saluang Dendang di Minangkabau. Tesis. Yogyakarta: Sekolah Pascasarjana Universitas Gadjah Mada.

Semiun, Yustinus. (2006). Teori Kepribadian dan Terapi Psikoanalitik Freud. Yogyakarta: Kanisius.

Strauss, Anselm, et.al. (2009). Dasar-dasar Penelitian Kualitatif: Tatalangkah dan Teknik-teknik Teorisasi Data. Terj. Muhammad Shadiq. Yogyakarta: Pustaka Pelajar.

Sugiharto, Bambang. (2013). Untuk Apa Seni?. Bandung: Matahari.

Sutan Mudo, Sawir. Saluang Klasik Bujang Marantau. Padang: Tanama Record.

Published

2021-06-29

Citation Check