ASEP SUNANDAR SUNARYA: MENJADI DALANG WAYANG GOLEK YANG POPULER

Authors

  • Masyuning S.Sn., M.Sn. Prodi Karawitan Fakultas Seni Pertunjukan ISBI Bandung

DOI:

https://doi.org/10.26742/jp.v4i1.1857

Keywords:

Dalang, Popular, Wayang

Abstract

Not many people knew As~p Sunandar's journey whom became famous puppeteer in West Java. The topic about As~p Sunandar led me to research and write this paper. I began formulating the topic as sinden at As~p Sunandar's theater troupe. I know that I was doing ethnomusicology or fieldwork: by getting to know As~p Sunandar who make the new style of wayanggol~k performances, studying and performing the music itself, and talking to whoever had the patience to listen to me. The conclusion ofpaperwasAs~p Sunandarfocused on the innovative nature of the wayang gol~k performance.

 

References

Kompas. 1984. "Asep Sunandar Sunarya si Dalang Sadis."Minggu, 25 Nopember.

---.1984. "Wayang Golek Berubah Istri bisa Serong. "Minggu, 25 Nopember.

Kosim, Saini. 1999. "Pelik-Pelik Kebudayaan Sunda". dalam Jurnal Budaya Dangiang: Menggali Kuburan Orang Sunda.edisi I/Mei Juli . Jakarta: PT Dunia Pustaka Jaya.

Masunah, Juju.,& TatiNarawati. 2003.Seni dan Pendidikan Seni: Sebuah Bunga Rampai. Bandung: P4STUPI.

Nugraha, Asep. 2008. "Penelusuran dan Perkembangan Kacapi Sunda." Dalam jurnal Paraguna Vol 2 No 1. Bandung: Prodi Karawitan. Dasar Diksi Karawitan Sunda. Bandung: Sunan Ambu STSI Press.

Waridi. 2003. Seni delam Berbagai Wacana Mengenang 20 tahun Kepergian Gendhon Humardani. Surakarta: Program Pendidikan Pascasarjana Sekolah Tinggi Seni Indonesia.

Weintraub, Andrew. 2004.Power Play: Wayang Golek Puppet Theater of West Java. Ohio University Research in International Studies.

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Published

2022-02-01

Issue

Vol. 4 No. 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN

Section

Articles

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