REINTERPRETATION OF TURI PUTIH SONG BY SUNAN KALIJAGA IN CHINESE METICULOUS PAINTING

Authors

  • Farid Kurniawan Noor Zaman
  • Wu Jian Shan

DOI:

https://doi.org/10.26742/caij.v3i1.2735

Abstract

The Turi Putih is a Javanese song composed by Sunan Kalijaga. Currently, The Turi Putih song popularity has decreased and is no longer well known. The Turi Putih song has a deep spiritual meaning for Indonesian Muslim. This research tries to visualize the Turi Putih song in the Chinese meticulous painting technique. This research used a qualitative descriptive analysis and semiotics approach. The result of this study is an artwork that represents of the Turi Putih song by Sunan Kalijaga. In this painting, several objects containing symbols of death are displayed. The turi putih is the symbol of the pocong, the kedasih is the bird that brings death news, and the besurek batik is used to cover the corpse. The results of this research-creation are expected to enrich the treasure of global art diversity that continues to grow. Keywords: Reinterpretation, Turi Putih Song, Sunan Kalijaga, Chinese Meticulous Painting.

References

Arini, S. H. D., & Supriadi, D. (2015). Karakter Musik Etnik Dan Representasi Identitas Musik Etnik. Panggung, 25(2).

Cassirer, Ernst. (1987). Manusia dan Kebudayaan: Sebuah Esei Tentang Manusia, Terj. Alois A. Nugroho. Jakarta: PT Gramedia.

Choiriyah, N. A. (2020). Kandungan Antioksidan pada Berbagai Bunga Edible di Indonesia. AGRISAINTIFIKA: Jurnal IlmuIlmu Pertanian, 4(2), 136-143.

Dillistone, F.W., (2002). The Power of Simbols. Yogyakarta: Kanisius. Doellah, H. Santosa. (2002). Batik: The Impact of Time and Enviroment. Surakarta: Danarhadi

Hayati, N. (2018). Pesan Kehidupan Dalam Lirik Lagu Shalawat Bahasa Jawa. SHAHIH: Journal of Islamicate Multidisciplinary, 3(1), 21-32

Janani, M., & Aruna, A. (2017). a Review on Neutraceutical Value of Sesbania Grandiflora (Agati). World Journal of Pharmaceutical Research, 6(7), 804–816. https://doi.org/10.20959/wjpr20177-8865

Jiang, S., Huang, Q., Ye, Q., & Gao, W. (2006). An Effective Method To Tetect and Categorize Digitized Traditional Chinese Paintings. Pattern Recognition Letters, 27(7), 734-746.

Munir, M. (2010). Postmodernisme: Sebuah Dekonstruksi dan Kritik dalam Seni. EKSPRESI: Indonesian Art Journal, 10(1).

Nanang, R. (2015). Ritual Islam dalam Motif Batik BesurekBengkulu. IBDA: Jurnal Kajian Islam dan Budaya, 13(2), 75-85.

Nasir. (2009). Metode Penelitian. Jakarta: Glalia Indonesia.

Puspayani, N. K. I., Pebryani, N. D., & Priatmaka, I. G. B. (2022). The Beauty of Wiwik Kelabu dalam Busana Style Feminim. BHUMIDEVI: Journal of Fashion Design, 2(1), 45-55.

Rumbyarso, Y. P. A. (2023). Penyuluhan Komposisi Campuran Beton untuk Jalan Tol. Journal of Social Work and Empowerment, 2(3), 137-144.

Sarwono. (2005). “Hermenutik Simbolisme Motif Parang dalam Busana Wayang Kulit Purwa Gaya Surakarta”. dalam Etnografi: Jurnal Penelitian Budaya Etnik. No. 04 Vol. 05 Juni 2004.

Sobur, A. (2013). Semiotika Komunikasi (cetakan kelima). Bandung: PT. Remaja Rosdakarya.

Sugiyono. (2007). Metode Penelitian Kuantitatif & Kualitatif RND. Bandung: Alfabeta.

Sunarto, B. (2013). Konsepsi Filosofis di Balik Musik Sholawat Campur ngaji. Panggung, 23(2).

Vera, Trirani. (2019). Penciptaan Tari: Emprit Ganthil. Skripsi. Yogyakarta: Institut Seni Indonesia.

Victor Mason dan Frank Jarvil. (1998). Bird of Bali. Singapore; Berkeler Books Pte. Ltd., 5 Little Road

Downloads

Published

2023-09-07

Issue

Section

Articles